Thesis:
Within the novel, Jean
Rhys examines the societal constructs of nineteenth century masculinity and
femininity in order to highlight the imbalance of power that exists in the relationship
between men and women and the resulting consequences.
Topic Sentence 1:
The character of
Edward Rochester is representative of the main aspects of masculinity as seen
in his dominant attitude, rational thinking, and the active role he plays in
the plot.
Evidence:
- “These people are very vulnerable. How old was I when I learned to hide how I felt? A very small boy.” – Rochester
- Rochester displays a great deal of arrogance as he asserts his will on others – mainly Antoinette – which portrays his dominance
- Begins calling Antoinette Bertha, exerting his power over her
Topic Sentence 2:
Antoinette Cosway is
constructed as an embodiment of stereotypical femininity; her strong emotions,
seemingly irrational thoughts, and submissive nature dictate her role in the
story.
Evidence:
- “Vain, silly creature.” – Rochester describing Antoinette
- Antoinette is desperate to keep her marriage intact, despite Rochester’s clear lack of love
- Constantly valued only for her beauty by Rochester
- “Don’t put anymore scent on my hair. He doesn’t like it.” –Antoinette attempts to alter her identity to conform to Rochester’s standards
- “This was Antoinette. She spoke hesitatingly as if she expected me to refuse, so it was easy to do so.”
Topic Sentence 3:
Through the marriage
of Antoinette and Rochester, Rhys highlights the imbalance of power that exists
in the relationship between men and women.
Evidence:
- “But I cannot go. He is my husband after all.”-Antoinette
- “You are handing over everything the child owns to a perfect stranger.” – Aunt Cora
- Antoinette is stripped of all power in her marriage with Rochester
- She has no protection in her marriage agreement and therefore all her money is given to Rochester
- Rochester locks Antoinette in the attic, showing that he is capable of stripping her of freedom and free will
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